刘馨浓则在翻译初期因塔可夫斯基对女性的态度产生过微妙的距离感。塔可夫斯基在日记中说,男性的天职是创造,女性的天职是为爱牺牲,而他与继女之间屡屡爆发的尖锐矛盾,更让刘馨浓一度感到紧张,“起初会很自然地把自己代入文中被提及的女性,有种自己被贬低、被攻击的感觉,对日记里的谩骂,有一种想要回避的本能。”刘馨浓说,读到第三遍、第四遍时,她开始站在塔可夫斯基的视角看待那些冲突,慢慢体会到他对身边人的苛责背后隐藏的情绪,感受到愤怒背后流露出的脆弱和无助,“他的尖锐,本质上是对创作的极致要求,是对自我的绝不妥协。”
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Source: Computational Materials Science, Volume 266
Paul Glynn and Helen BushbyCulture reporters,更多细节参见一键获取谷歌浏览器下载
CBC live updates。业内人士推荐体育直播作为进阶阅读
In 1992, in a small shop in British Columbia, a sign maker named Blair Gran stared at a wall full of half-finished jobs and felt something click. Sign-making was treated like a commodity — orders in, banners out — but as thousands of signs came through his shop, he couldn’t help but notice the difference between the good ones and the bad ones. He could see that every sign that left his shop was either helping a business get noticed, or letting it disappear in plain sight.